Tuesday, March 5, 2019

Inspired Tuesday: Marie Antoinette and princesse de Lamballe advertise for Petrole Hahn

Inspired Tuesday: a day to share anything and everything inspired by Marie Antoinette and her world.

Petrole Hahn is a French-based company that has been in operation for over 100 years. Their primary claim to fame is hair-based products, including shampoos, conditioners and other rinses. Like many businesses at the time, Petrole Hahn employed postcards and trading cards as part of their outreach advertisement campaign. These two cards depicting the princesse de Lamballe and Marie Antoinette were from a particular collectible set featuring notable French royals, aristocrats, and even revolutionaries.

 [source: my scan/collection]

 [source: my scan/collection]

Monday, March 4, 2019

Women's History Month: 4 Biographies About Non-Royal 18th-Century Women

Women's History Month: A month celebrating women of history! I will be posting media and book recommendations, highlighting women from (mostly) the 18th century, and otherwise sharing content with an emphasis on women in history.

4 Biographies You May Have Missed About (Non-Royal) 18th-Century Women 
 
For the reader looking for interesting biographies on historical woman, there is--thankfully--hardly a shortage of books to choose from. But for readers looking to discover more about the lives of 18th century women, it can sometimes be hard to find biographies that aren't about those in the upper reaches of society. I've compiled a list of 4 biographies about 18th-century women who may not have been born queens or duchesses, but whose fascinating and even tragic lives remain a worthwhile subject of study today.


Hanging Ruth Blay: An Eighteenth-Century New Hampshire Tragedy by Carolyn Marvin

On December 30th, 1768, Ruth Blay--a former schoolteacher, aged 31--was hanged to death for the crime of concealing the death of her stillborn illegitimate child. Her trial and executed proved controversial among locals, and though her death has been the source of local lore since her fateful hanging, Marvin's book is the first extensive look at uncovering and understanding the real life and tragic fate of the last woman ever executed by the estate of New Hampshire.



The Diary of Elizabeth Drinker: The Life Cycle of an Eighteenth-Century Woman edited by Elaine Forman Crane

Elizabeth Drinker, a Quaker woman, began her diary in 1758, in the earliest years of her courtship with her soon-to-be husband, and kept regular entries until her death in 1807, in a world that would have been hardly recognizable to the young Elizabeth living in colonial America. In her extensive diary--presented here by Elaine Crane in an abridged edition--Elizabeth Drinker kept a personal record of her thoughts on her duties as a Quaker woman, as a mother, as a woman in a period when engaging and discussing politics entered into the female sphere; and on a host of social and political changes, including the American revolution, the French Revolution, and a changing landscape that altered society in significant and subtle ways


The Many Captivities of Esther Wheelwright by Ann M. Little

Esther Wheelwright began her life as the fourth of eleven children born to strict Puritan parents who operated a well-known garrison in the southern part of Maine; she was only 7 years old when she was captured by group of Wabanaki who attacked the area as part of a coordinated French assault; and in the next few years, she found herself enrolled in an Ursuline boarding school where she became convinced that she had been called to become a nun. By the time of her death in Quebec City in 1780, Esther had transformed into an educated, diplomatic Mother Superior well known for her political and financial savvy. Little's biography of Esther Wheelwright is an in-depth look at a relatively little-known yet fascinating woman.


 
 
 The Ordeal of Elizabeth Marsh: A Woman in World History by Linda Colley

Elizabeth Marsh was a remarkable woman who left behind almost none of the typical traces of her life that biographers hunt for when retelling the lives of past men and women. No portrait, no diaries, no existing letters--though she wrote them constantly; instead, Marsh left behind a vast amount of connections that place her on multiple continents and in some of the most unusual places in the world for a woman in her time. In telling the story of Elizabeth Marsh, Linda Colley tackles more than a reconstruction of one person's life; it is an exploration of the development of the connected world, and how connections--old and new--shaped and changed lives forever.

Sunday, March 3, 2019

Museum Sunday: A dog-shaped lacquer owned by Marie Antoinette

Museum Sunday: a day for highlighting objects, books, and other items from the collections and lives of Marie Antoinette and her contemporaries.

 [credit: Photo:© RMN–Grand Palais/ Art Resource, NY/photo by Thierry Ollivier. Via The Getty.]


This dog-shaped lacquer box is one of the most memorable and popular of the 80 or so Japanese lacquer pieces that Marie Antoinette collected in the 1780s. The initial set of Marie Antoinette's vast Japanese lacquer box collection came as an inheritance from Maria Theresa after her death in 1780; over the next 8 years, Marie Antoinette would purchase 30 additional pieces, including this dog-shaped box. High-end Japanese lacquer boxes were a coveted item in Europe, where they were often passed around private collections and auctioned off in special luxury goods sales.

As for Marie Antoinette, she was so enamored of her little boxes that she redecorated the cabinet doré (or private sitting room) to showcase her collection. This dog-shaped box was not stored in the immense glass cabinet she commissioned to store her pieces, but was highlighted with other favorite objects on smaller tables placed throughout the room. It would have certainly been a conversation starter: a small lacquer box intended for the Japanese upper class that traveled the world to send up in the private apartment of the queen of France.

After the events of October 1789, Marie Antoinette asked Martin Éloy Lignereux, an art dealer whom she trusted, to return to Versailles and pack some of her personal belongings. Among these were her collection of lacquer boxes, which were sent to Paris with the intention of eventually making their way to the queen at the Tuileries. This was never to be, and the queen was never reunited with her treasured boxes. The collection remained with the art dealer until 1794, when he was ordered to surrender them to the new government. Surprisingly, the pieces were not destined for the same fate--destruction or sale--as most of Marie Antoinette's personal belongings. Instead, they were sent to the newly minted Muséum central des Arts, where they remained until just after WWII. In 1965, many of the pieces--including this charming dog box--were returned to the chateau de Versailles collection, which still owns them today.

References and Further Reading

Saturday, March 2, 2019

Women's History Month: A self-portrait by Anne Mee, circa 1795

Women's History Month: A month celebrating women of history! I will be posting media and book recommendations, highlighting women from (mostly) the 18th century, and otherwise sharing content with an emphasis on women in history.


Self-portrait by Anne Mee, circa 1795. Victoria and Albert Museum.

Anne Mee, born Anne Foldsone, was--like a number of women artists of her day--the daughter of a painter. John Foldsone was known for painting miniature portraits, which were received with mild praise; he was described in Edward Edwards' notable Anecdotes of Painters as painting works which had "no great merit, but with sufficient likeness to procedure much employment at a small price." Foldsone's portraits were fast and simple: he would arrive in the morning to start a sitting and finish his miniature portrait before leaving in the evening. 

Anne began painting as early as 12 years old, and when her father died in 1787, she took on the responsibility of supporting her 7 siblings and mother. Although Anne's portraits were never lavishly praised, she managed to secure a number of high-profile aristocratic and royal patrons, likely due to her association with George Romney, who paid her tuition.

However, the same swiftness which defined John Foldsone's portrait commissions could not be applied to Anne. She was somewhat notorious for her slowness in completing portraits, and she even earned the ire of Horace Walpole, who in a string of letters complaining about the continually undelivered portraits her ordered, wrote: "Miss Foldsone is a prodigy of dishonest impertinence."

Despite this, Anne remained a popular portraitist well into the 1800s. In 1812, she published a short-lived series based on the "beauties of the court of George III," which ran for one volume. She continued to exhibit her work until at least 1837; not much is known about her later years, except that the will she created before her death in 1851 left everything to her eldest son, the architect Arthur Patrick.

Friday, March 1, 2019

Women's History Month: An unknown portrait miniaturist painted by Jean Baptiste Soyer

Women's History Month: A month celebrating women of history! I will be posting media and book recommendations, highlighting women from (mostly) the 18th century, and otherwise sharing content with an emphasis on women in history.

 [image credit: Sotheby’s, via Invaluable]

Her gown is made from vibrant deep blue fabric. She sits at work desk with molded details around the sides and a stand for working. The chair behind her is plush with fabric and further molded details. She sits, smiling, pausing in her work on a portrait miniature of a young man. That is all we know about this portrait of an unknown woman by Jean Baptiste Soyer. Her name is lost to history, like countless men and women whose portraits are now scattered among private collections and museums, to be displayed and enjoyed by a rotating list of new owners.

This particular miniature was part of the renowned portrait miniature collection of the late Erika Pohl-Ströher, a German executive and heiress whose personal collection included a vast number of miniatures from some of Europe's most well-known artists. Unfortunately, the exact provenance of this miniature is unknown--perhaps it may have shed some light on the sitter in this unassuming yet memorable portrait.

Jean-Baptiste Soyer may not be a household name, but he was one of the many prolific portrait miniature painters active in the 18th century. He was aptly described by T. Jaegy and T. Theoleyre in their their landmark (French only) published study of his work as the "painter of the smile." The description is more than deserved: even a quick glance at his many existing miniatures shows countless relaxed and joyful faces.

Who was the woman in this miniature? Was she one of the many women artists who worked for artist's houses, producing miniatures on demand under the watchful eye of older (and usually, male) artists? Did she paint miniature portraits to supplement her family's income, or bring in money that could be her own? Or was miniature painting a hobby she enjoyed, something to occupy hours of free time in a leisurely household? We will likely never know. But this portrait, at least, keeps a small memory of her alive--with a smile, a deep blue gown, and a paintbrush in hand.

Women's History Month: 2017-2018 Book List Round-up

Women's History Month: A month celebrating women of history! I will be posting media and book recommendations, highlighting women from (mostly) the 18th century, and otherwise sharing content with an emphasis on women in history.

[image: Detail from a portrait of  Portrait of Marie Gabrielle de Gramont, Duchesse de Caderousse by Elisabeth Vigee Lebrun, 1784.]

For the past 2 years, I have created a selection of book lists tailored to women's history month. The tradition will continue this year (with non-book lists making their debut!) but for now I'd like to share the lists from the previous two years for anyone who's missed them or simply wants to take another look. Enjoy!

 2017
 2018