Showing posts with label petit trianon. Show all posts
Showing posts with label petit trianon. Show all posts

Thursday, April 9, 2020

Let's Visit! The Laiterie de Préparation at the Hameau de La Reine

Introducing Let's Visit! A new travel-based series that will take us on trips around Versailles, the Petit Trianon and other interesting places from the safety and comfort of our homes. In some cases, we'll visit entire estates and in other cases, we might set ourselves down in a single room for the afternoon.

So let's visit! Don't forget your passport!

Let's Visit! The Laiterie de Préparation at the Hameau de La Reine 


image: a wall of stones marking the former location of the Laiterie de Préparation
[credit: Photo by Starus. Licensed CC BY-SA 3.0, no changes.] 

The hameau de la reine was a country-inspired estate that was both typical and novel of other aristocratic hamlets from the same time period. Like other aristocratic hamlet-inspired estates, the hameau de la reine had a series of rural-inspired buildings that were designed to emulate a quiet, private country life that was in direct contrast to the constraining and etiquette-laden public life of the city and court.

Floral and vegetable gardens, a carefully planned artificial lake, farm animals, and a canopy of trees which provided the illusion of privacy within a vast public palace estate; all of these trappings allowed Marie Antoinette to set aside the weight of her crown and the political social life that many men and women were indulging in towards the end of the 18th century in favor of a private, yet still upper class existence where enjoyment, not etiquette, ruled.

One of the most emblematic elements of Marie Antoinette's famous hameau de la reine is the dairy; and while the image of a muslin-clad Marie Antoinette skipping along to milk beribboned cows is the stuff of exaggerated fiction, Marie Antoinette did blur the lines between royalty and private individual a different way with the dairy at the hamlet.

While it is well known that Marie Antoinette had a dairy at her hamlet, it is often forgotten that there were actually two dairies on the estate, each with their own unique purpose. There was the laiterie de propreté, or Refreshments Dairy which still stands today; and the laiterie de préparation, or Preparation Dairy which was torn down during the reign of Napoleon. We will be exploring the now-gone Preparation Dairy in today's visit.


 image: Detail from a view of the hameau de la Reine in 1786 by Claude-Louis Châtelet. The Preparation Dairy can be seen on the left side, in the background.

Laiterie de Préparation: The Dairy Not Meant for a Queen 

What, exactly, was the laiterie de préparation? The Preparation Dairy was where the dairy products created at the Queen's hamlet were actually prepared by the staff. At the Preparation Dairy, milk fresh from the hamlet's cows would be skimmed and pasteurized; butter would be churned; creams, cheeses and even ice creams would be created. The resulting products would then be stored until they were transferred to various places around the Trianon estate, whether it was to the Queen's House for a private supper or to the nearby Refreshments Dairy where the queen and her entourage could taste the dairy products.

While the Refreshments Dairy was designed to be frequented by the queen and her guests, the Preparation Dairy was accessed exclusively by the staff working at the Queen's hamlet. Marie Antoinette likely never set foot inside the dairy, except perhaps to give her approval of the finished interior in 1785.

The Preparation Dairy was not originally a dairy at all. The hamlet was still a work in progress by the mid-1780s, and in 1783 an undefined farmhouse stood in its place. The original building included two rooms and a small cabinet, along with a stone oven; the building may have been used to make cheese. However, in 1785, the decision was made to transform the existing building into a functional dairy so that Marie Antoinette's hamlet had its own exclusive milk products. The building's cabinet was transformed into an ice box, where fresh dairy products could be stored in coolers; and the interior was completely redone.

Prior to 1785, the milk products enjoyed at the hamlet were brought over from a separate dairy, one which had been originally built for Madame Pompadour. With the construction of the new Preparation Dairy, Marie Antoinette was once again making the decision to cultivate a space that was distinctly her domain, not the domain of 'La Pompadour' or even the domain of previous queens. The products created at the Preparation Dairy would all be designated "à la reine," an extension of Marie Antoinette and her influence on her private domain. The new dairy would allow Marie Antoinette to solidify her status as the reigning mistress of her own countryside estate.The production of clean and fresh dairy products was emblematic of her role as a queen, a mother, and a woman.


image: A portrait of Madame Adélaïde Auguié, lady-in-waiting to Marie Antoinette, in the hamlet's Refreshments Dairy by Adolf Ulrik Wertmüller
[credit: National Museum of Sweden]
 Preparation to Refreshment: Elite Enjoyment

The two dairies at the hamlet served completely different purposes: one was a functioning dairy intended for staff to produce milk and dairy products and the other was an aristocratic space, intended for a reserved group and class of people to engage in a luxury activity.

Despite this crucial difference, the two dairies were not aesthetically all that distinct. The exterior of both buildings matched the same faux-weathered stone, thatched cottage style that permeated the hamlet. And while there are no existing images that show how the interior of the once-bustling preparation dairy truly looked, we can reasonably guess that it was originally not all that different from the initial concept for the Refreshments Dairy. Thanks to existing documentation of later additions that would transform the original Refreshments Dairy into the elegant neoclassical dairy visitors see today, we can see just how much was changed in the dairy intended for aristocratic consumption.
 
When the Refreshments Dairy was built, its original design included relatively simple elements such as a bare ceiling, plain white walls, and no interior fountains. In 1786 or 1787, the royal designers of Versailles repainted the walls so that they imitated fine white marble and installed a luxurious trompe l'oeil ceiling. The reason for this makeover is unknown, but the end result was bringing the Refreshments Dairy a step closer towards the elite space that it was--and a step farther away from the more simplistic Preparation Dairy that it emulated.

Yet it was not until the reign of Napoleon and the hamlet's subsequent First Empire renovation that the distinctive gilded fountain heads and marble basins, along with the highly ornate central table, were installed in the Refreshments Dairy. Without these ornamental additions, almost all of which were not included in the original plans approved by Marie Antoinette, the inside of the two dairies were probably remarkably similar. Perhaps, as Meredith Martin suggests in 'Dairy Queens: The Politics of Pastoral Architecture,' the similarity was too close and the reason for the 1786-1787 additions was to put a firmer line between Marie Antoinette's majesty and the functional dairy.

The above portrait shows Madame Adélaïde Auguié, a lady-in-waiting to Marie Antoinette and sister to Madame Campan, pouring milk from a fine porcelain pitcher into a basin. This portrait showcases an earlier design of the Refreshments Dairy and in doing so, gives viewers a glimpse of what the Preparation Dairy may have looked like.

The portrait also encompasses the intriguing duality represented through Marie Antoinette's two dairies at her hamlet. The Refreshments Dairy was designed to embody the simplicity of the nearby practical Preparation Dairy while maintaining separate distinctions in line with the social class of its esteemed guests. In the Preparation Dairy, the staff at the hamlet processed the fresh milk and prepared it to be stored or transported; but it was in the Refreshments Dairy, poured and tasted in high-quality porcelain saucers and basins by the queen and her guests, that the milk became à la reine,.


 image: detail from an architectural plan for the hameau de la reine; the Preparation Dairy is circled in blue.

 Mapping the Laiterie de Préparation: Physical Closeness and Social Distance

The separation between the practical labor behind the dairy products and the elite enjoyment of those products was not the invention of Marie Antoinette's whimsy; it was standard practice, found at earlier and later hamlet-style estates throughout France and the whole of Europe.

However, Marie Antoinette did forgo tradition with the Preparation Dairy in a subtle way that spoke volumes about her vision for this private yet highly personal domain. This diversion from the traditional design for hameau-style estates also helps to break down one of the biggest misconceptions about Marie Antoinette's dairy: that it was designed to be a faux folly farm where Marie Antoinette would twirl about in her muslin skirts, assuming that pasteurized milks and creams came out of thin air or that some half-hearted churning inside a porcelain vase was really creating pounds of butter.

How did Marie Antoinette break tradition in an estate that was, by and large, a product of existing aristocratic trends? Rather than tuck the Preparation Dairy into a separate space outside of the hamlet estate, hidden away from sight and mind, the Preparation Dairy was kept next door to the Refreshments Dairy and was designed to be a seamless part of the hamlet as a whole.

Access to both dairies was controlled by Valy Bussard, the head farmer employed by Marie Antoinette to run the estate; it would be Valy Bussard who corresponded and talked with the queen about necessary arrangements and changes on the grounds, such as an incident where he complained about the resident male goat who had proved himself unable to procreate. The queen, in her reply, agreed to pay for a replacement--but noted that he should look for a goat with a better temperament and of course, a nicely colored coat.

All of this, the placement of the functional diary and the day-to-day management that existed between Marie Antoinette and Valy Bussard, tells us that the Preparation Dairy was not some secret space for labor that must be kept hidden away, lest it give away the appearance of fancied-labor on part of the queen and her entourage. It was a practical, functional and completely recognized part of the hamlet's well-planned world. Marie Antoinette was conscious of the the role that the working dairy played in the hamlet's world, and rather than keep it hidden from view, she sought to incorporate it into the day-to-day life at the hamlet.

While she did not play milkmaid or hold the mistaken belief that peasants were milking perfumed cows, Marie Antoinette did blur the line between royalty and private citizen at her dairy in a different way with her choice to seamlessly include the labor-based Preparations Dairy as part of the hamlet's world.

A carefully cultivated world, where the gardens overseen by farmers would produce fresh fruits and vegetables for her household; where she could take her children to learn about animals and plants from skilled staff; where she could enjoy the company of friends and family without suffocating etiquette; where she could carve out a role as the private elite mistress of a working countryside estate; a world, above all, in which Marie Antoinette the elite and free individual, rather than Marie Antoinette the constrained queen, was the center.

 image: aerial view of the hameau de la reine, 2013.
[credit: ToucanWings, CC BY-SA 3.0; no changes]


1793 and Onward

In 1789, the royal family was forced to abandon Versailles and take up residence at the Tuileries Palace in Paris. Although she was never to properly return to her hamlet, or ever again enjoy the novel tastings once held at the Refreshments Dairy, Marie Antoinette continued to receive milk and dairy products from her beloved dairy through 1792. For a time, when the royal family was still able to travel to Saint-Cloud, she even had some of the 'hameau' cows transferred to a rented dairy near the country palace. After the family was imprisoned in the fall of 1792, the hameau--and its two dairies--fell quiet.

In 1794, some of the furniture and objects still inside the Preparation Dairy were taken apart and sold during the famous "Petit Trianon" auction. The stone tables inside the Preparation Dairy, once used in the painstaking process of making fresh milks destined for custom-made porcelain basins, were sold for 101 livres. An inventory of the building in 1799 indicated that the Preparation Dairy had been left to deteriorate; the iron pipes which once kept products cool in the cabinet were removed the year before and by 1806, when Napoleon requested an estimate for a restoration of the building, the total amount was almost 1/3 of the entire restoration budget that he had allotted for the entire hameau de la Reine. Due to the expense, and likely due to the fact that it was no longer a functioning dairy, the decision was made to have the building torn down in March of 1810.

During the extensive restoration work funded by Rockefeller in 1933, a small stone wall was erected along the former location of the Preparation Dairy. Over time, the Preparation Dairy has faded into the background; often ignored or given a mention at most, despite its once-crucial role in the day-to-day operations of the world that existed solely inside the hamlet. This stone wall, now almost 100 years old, is all that remains of the dairy that was once employed to create creams, cheeses and milks "à la reine."

*** 

Further Reading
  • Martin, Meredith. Dairy Queens: the Politics of Pastoral Architecture from Catherine De Medici to Marie-Antoinette. Harvard University Press, 2011. 
  • Duvernois, Christian, and Halard François. Marie-Antoinette and the Last Garden at Versailles. Rizzoli, 2008. 
  • Nolhac, Pierre. The Trianon of Marie-Antoinette. T. Fisher Unwin, 1925.

Saturday, April 13, 2019

What They Said Saturday: "Fatigued by the splendors of art, I turn to nature..."

'What They Said' Saturday: a day for quotations of all kinds, including excerpts from letters written by Marie Antoinette and her contemporaries, memoirs, non-fiction, novels and everything in between.

image: the hameau de la reine in August 1967/credit: Daniel Villafruela/CC BY-SA 3.0, no modifications

The recent restoration work done on the hameau de la Reine has sparked new focus on the charming, picturesque hamlet that Marie Antoinette cultivated during her final years at Versailles. But it is not only modern visitors who are charmed by its roaming trails and carefully planned foliage.

Nikolay Karamzin, a visitor who was able to tour the hameau de la reine during those last waning years of the French monarchy, wrote touchingly of the estate:

"I advance and I see hills, fields, meadows, herds, a grotto. Fatigued by the splendors of art, I turn to nature; I find myself, my heart, my imagination; I breathe, inhaling the perfumed air of the evening, gazing at the setting sun … I would like to stop it in its course, in order to remain longer at Trianon."

Monday, March 18, 2019

L'Après-Midi au Petit Trianon by Emile Charles Dameron (1848-1908)

Just a lovely painting to share today--but be sure to keep an eye out for an analysis on the depiction of the Queen's hamlet in 19th century art in a week or so!

Image: L'Après-Midi au Petit Trianon (Also known as 'Le Hameau de Trianon') by Emile Charles Dameron (1848-1908).

Wednesday, April 26, 2017

Gilded Sculpture in the Queen's Theater

A view of the sculpture work in the theater of Marie Antoinette at the Petit Trianon.

[credit: © EPV / Thomas Garnier, via Chateau de Versailles]

Tuesday, May 31, 2016

The Belvedere Pavilion by Wilfred Gabriel de Glehn (1930)



The Belvedere Pavilion by Wilfred Gabriel de Glehn (1930). This charming painting will be auctioned through Bonhams next month and has an estimated $730 - 1,000 sale price.

Friday, August 21, 2015

More Autochromes of Life at Versailles by Jules Gervais-Courtellemont

I am in love with the soft, dreamy quality of Jules Gervais-Courtellemont's autochromes of costumed actors at Versailles. I was fortunate enough to find some vintage prints of these autochromes, so I am sharing a few more that weren't in my previous posts, or were only there with watermarks from other websites.

 credit: Jules Gervais-Courtellemont, scanned from my collection 

 credit: Jules Gervais-Courtellemont, scanned from my collection 

 credit: Jules Gervais-Courtellemont, scanned from my collection 

credit: Jules Gervais-Courtellemont, scanned from my collection


Tuesday, November 19, 2013

The Queen's Hamlet in the Winter

A photograph of Marie Antoinette's hamlet in the wintertime.

credit: (C) RMN-Grand Palais - Gestion droit d'auteur

Tuesday, October 1, 2013

Historiae: Perfumes of History Review


There is compelling aura that surrounds perfumes inspired by historical scents or people or places--a sort of unexplainable connection that can't be obtained by looking at portraits or reading the latest biographies or even digging through archives. Even though the scents are not exact recreations of something that Marie Antoinette or Josephine may have dabbed on their wrists, the connection between the perfumes and history gives them that extra "something" which makes me want to reach for them every time a scent begins to fade. This is, of course, why I was unable to resist purchasing samples of several of Historiae's "Perfumes of History."

Historiae is known for their fair trade scented products, which include eau de toilette, scented soaps, home sprays and more. They are currently offering five scents--Rose de France, Orangerie du Roy, Violette Imperiale, Bouquet du Trainon, and Hameau de la Reine.


Of these five scents, I decided to sample Rose de France, Bouquet du Trianon and Hameau de la Reine. The picture above shows how I received them. Ordinarly, I receive perfume samples in a small nondescript vial, sometimes with a little information sheet along with my receipt. Historiae's perfumes come individually packaged, as you can see, and even the sample vials have their name and the name of the company printed in gold lettering! It may sound like I'm gushing about the packaging, but this relatively small touch leaves a great first impression! Now onto the scents:

Rose de France

Marie Antoinette adored roses and their fragrance so much that she practically filled the Petit Trianon with them. But can you ever have too much rose? I was a little worried after I read the note description that the perfume would be heavy and almost musky. However... Rose de France is surprisingly light. It is almost like a "dusting" of rose over your skin--floral and wispy instead of overbearing or cloying. It reminds me of walking through a garden sprinkled with roses... soft and inviting. A wonderful choice if you're looking for a rose perfume that isn't heavy or too intense.

Top: may rose, damascena rose, pear, bergamot, tagetes
Heart: rose absolute, magnolia, mock orange, clove, davana, peony, géranium, listea cubeba
Background: benzoin, vanilla, musc, amber

Bouquet du Trianon

Bouquet du Trianon is comprised of numerous scents that Marie Antoinette herself enjoyed--it really is a perfume "bouquet" of the scents she enjoyed at her Trianon. In a strange way, Bouquet de Trianon feels like a walk through a country estate. When I first put it on, it was very bright and citrus-y and reminded me of fresh meadow air. But as the perfume went on, the underlying notes--particularly tuberose and rose--began to emerge, and the scent was more like a well-tended country flower garden. Towards the end, just before the scent began to fade, a definite woodsy scent came into play. A great choice if you are looking for a more complex floral, natural perfume.

Top: lemon, bergamot, mandarin, galbanum, mint, freesia, blackcurrant bush leaf
Heart: tuberose absolute, ylang ylang, beeswax absolute, rose, honeysuckle
Background: vetiver, patchouli, amber, musk, sandalwood, cedarwood


Hameau de la Reine

Hameau de la Reine strives to emulate what Historiae calls "the heart of the Queen's Hameau," and I am inclined to believe that they have succeeded. The scent, although it is the lightest of the three that I sampled, is very much like stepping into a natural garden. One word to describe it would be "green." Hameau de la Reine is more leafy and woodsy than floral, but there are underlying currents of flowers that shine through--especially rose and ivy. Of the three Historiae scents I sampled, Hameau de la Reine is my favorite. It makes me feel like I'm strolling through an English garden. A wonderful choice for anyone who loves green, soft scents!

Tête: bergamot, blackcurrant bud, tomato leaf, fig leaf
Heart: rose, galbanum, peony, geranium, mock orange, ivy
Background: vetiver, patchouli, white wood, musk, honey


Friday, September 27, 2013

Aeriel Views of the Hameau de la Reine

credit: ToucanWings – Creative Commons By Sa 3.0

The Chateau de Versailles, in partnership with Wikimedia France and photographer ToucanWings, has produced a series of aeriel photographs of Versailles and its grounds. I thought I would share just a few of the amazing aerial photographs of the hameau de la reine.

credit: ToucanWings – Creative Commons By Sa 3.0

credit: ToucanWings – Creative Commons By Sa 3.0

credit: ToucanWings – Creative Commons By Sa 3.0

credit: ToucanWings – Creative Commons By Sa 3.0


Sunday, September 22, 2013

A view of the Hameau

A view of the bridge and the mill in the Hameau de la Reine, taken sometime before the 2007-2008 restoration of Marie Antoinette's private estate.

credit: (C) RMN-Grand Palais (Château de Versailles) / Daniel Arnaudet

Monday, September 2, 2013

A Stroll Through Marie Antoinette's Garden (From Marie Antoinette's Garden by Elisabeth de Feydeu)

A spellbound wilderness I saw
Painted as by Taste herself;
That celebrated garden fair
That work of Art, and Nature's glass,
Her work surpass'd by hand of Man
O' Trianon, may winter's chill
and icy blasts your beauty spare!
Sweet Trianon, what transports of delight
In lovers souls your sight inspires!
--Antoine de Berin, 'Elegie XIV: Les jardins du Petit Trianon," Les Amours, 1780

No place is more associated with Marie Antoinette than her private domain of the Petit Trianon. Marie Antoinette set a precedent with her estates, where everything--from the rights of entry to the tilt of the trees--was done "on the queen's orders." Here, the queen could shrug off the rigorous formality of the court and reenact the private, country life that she had enjoyed as a child in the more relaxed Austrian court. 

The gardens that she desired for the Petit Trianon were in stark contrast to the rigid, French-style gardens carefully designed by Le Notre for the gardens of Versailles. Marie Antoinette cultivated a wilder, more natural garden that was more reminiscent of a stroll through a delightful, enchanting forest than the straight-laced, formal palace landscape. Little "surprises," such as grottos and man-made "natural" streams, were intended to delight visitors through their natural beauty and charm.


credit: p.207: Cabbage rose. © Muséum national d’Histoire naturelle, Dist. RMN / image du MNHN, bibliothèque centrale, Redouté Pierre Joseph (1759-1840)

From Marie Antoinette's Garden by Elisabeth de Feydeau takes readers on an imaginary stroll through the ever-charming, delightful and beautiful world of Marie Antoinette's gardens. The book is divided into sections, based on six areas in the estates of the queen; each section contains numerous plant "entries," which feature a gorgeous watercolor illustration accompanied by practical and historical information about the specific plant.

Readers will walk through the French Gardens, where fragrant irises--a favorite of Marie Antoinette--perfumed the air; to the winding, natural paths of the English Garden; to the Belvedere, where Marie Antoinette, surrounded by blooms of jasmine, could view her estates; to the wild Wood of Solitude, filled with wildflowers and wild plants; and through the Queen's Hamlet, dotted with berries and flowers, all the way to the Temple of Love, perfumed by an endless variety of Marie Antoinette's beloved roses. The end result is a memorable, wistful walk through the gardens of the last queen of France.

The album is not only a collection of contemporary drawings of the many plants enjoyed by queen; it is also filled with historical accounts of the gardens, such as letters written by Marie Antoinette herself, memoirs written by visiting contemporaries, and musings on this magnificent landscape written by later historians. 

Other tidbits, such as medicinal and symbolic trivia, are also worthy of note. Did you know that cornflowers, found in the Queen's Hamlet, were also used to treat eye infections? Or that the Chinese-imported Japanese camellia, found in Marie Antoinette's English garden, was considered a bad omen in China? In Chinese lore, it was said that if a woman wore a flowering camellia in her hair, she would take many years to conceive a child. 

From Marie Antoinette's Garden by Elisabeth de Feydeu is a well-crafted, delightful look at one of the grandest gardens of the 18th century. I highly recommend this book for anyone with an interest in Marie Antoinette, gardens and flowers, or French history. The book, which is being distributed by Rizzoli New York via Random House, is set for release on September 3rd, 2013. 

[A review copy of this publication was provided to me by the publisher upon my request.]








Saturday, August 31, 2013

Quick Treasure: Another Versailles Autochrome by Jules-Gervais Courtellemont

I've really fallen in love with these romantic autochromes of players/actors at Versailles, taken by Jules-Gervais Courtellemont. This next scan is of a print made from an autochrome, but is still lovely nonetheless.

image: players reenact life at the Temple of Love
credit: my collection

Monday, August 26, 2013

From Marie Antoinette's Garden: Rose

image: detail of a portrait of Marie Antoinette with a rose by Elisabeth Vigee-Lebrun

The gardens of Marie Antoinette's Petit Trianon were legendary for extraordinary beauty. Marie Antoinette adored flowers and her love for them is most apparent in the magnificent gardens she had cultivated in her name at Versailles and the Petit Trianon. The upcoming horticultural album, From Marie Antoinette's Garden, takes readers on a literary stroll through the most prominent of the flowers and plants found in the gardens of the queen.

In 1770, Louis XV presented Marie Antoinette--then a young dauphine--with a rather unusual portrait, in which she was depicted as the center of a rose. Although the portrait has since been lost to the ages, its description brings to mind the undeniable association between Marie Antoinette and this most famous flower.

Roses were a part of almost every aspect of Marie Antoinette's life; from her portraits to her bedroom walls to the magnificent gardenscape of the Petit Trianon--even the queen's fashion choices hearkened back to her love of these beautiful blooms. During the heyday of the floral, country-inspired fashion associated with the Petit Trianon, both fresh and artificial roses were used as garlands and other ornamental decorations for their nature-inspired ensembles.

image: detail of Marie Antoinette holding a rose from a 1778 portrait by Elisabeth Vigee-Lebrun
credit: (C) RMN-Grand Palais (Château de Versailles) / Gérard Blot

Roses can be found in many of Marie Antoinette's portraits. Roses may have been a symbolic nod to her Austrian heritage; they may also have been used as a symbol of her Christian faith. In Christian paintings and engravings, various types of roses were often used to represent the rebirth of Christ, the Holy Trinity, and other important Christian iconography. The dog rose, just one of the roses chosen to populate the Petit Trianon, was used to symbolize both the five wounds of Christ and his rebirth. In mythology, the Rose was associated with love, fertility, and beauty.

image: detail of a portrait of Marie Antoinette, attributed to d'Agoty; rose bushes can be seen in the background


Roses could be found in almost every nook and cranny of the Petit Trianon. In 1779, Marie Antoinette wrote to her mother that she had "innumerable rose varieties, of which my gardener is so proud, that people of his profession come to study them[.]" The interior of the Temple of Love was once decorated with rose garlands tied with ribbons, which only added to the fragrant floral scent which filled the air of the Trianon.

image: Dog Rose

One of the rose varieties grown at the Trianon was Rosa canina, or Dog Rose. The dog rose has large pink or white flowers which, although not very fragrant, were especially appreciated in 18th century gardens for their "wild" appearance.

image: Dog Rose

Marie Antoinette may have loved the rustic, untended look that these flowers brought to her gardens, which she planted after the carefully designed "natural" English style. In 1784, over two thousand dog roses were delivered to the Trianon to be planted in Marie Antoinette's garden.


image: A painting of Rosa centifolia foliacea by Pierre-Joseph Redouté

Another type of rose favored by Marie Antoinette was Rosa × centifolia, or the Cabbage Rose. The cabbage rose, also called the provence rose, initially was developed in the 17th and 19th century by Dutch rose breeders. It is a hybrid breed, although its exact hereditary history is not known. Its name comes from the globe-shaped flowers, which have a similar appearance to cabbage.

The cabbage rose was also used in fragrances and perfumed beauty products. Jean-Louis Fargeon, a perfumer favored by Marie Antoinette, used cabbage roses in many of his creations. It is still used by modern perfumes due to its rich fragrance.

image: a cabbage rose

The dog rose and cabbage rose are just two of the many flowers and plants to uncover in the upcoming publication, From Marie Antoinette's Garden by Elisabeth de Feydeu, set for publication on September 3rd, 2013.


Tuesday, August 20, 2013

From Marie Antoinette's Garden: Delphinette

 
image: Delphinette

The gardens of Marie Antoinette's Petit Trianon were legendary for extraordinary beauty. Marie Antoinette adored flowers and her love for them is most apparent in the magnificent gardens she had cultivated in her name at Versailles and the Petit Trianon. The upcoming horticultural album, From Marie Antoinette's Garden, takes readers on a literary stroll through the most prominent of the flowers and plants found in the gardens of the queen.

One of the flowers that found its place in the world of Marie Antoinette was Delphinium ajacis (or Consolida ajacis). Delphinium ajacis is a native European flower commonly known in English as rocket larkspur. In 18th century France, it was known by charming names such as Delphinette, Pied d'Alouette, Eperon de Chevalier and Consoude royale, among others. Delphinette, the term typically used in France, for was originally derived from the Latin term for dolphin (delphin) which was a reference to the unique shape of the flower's buds.


Red, pink, white and blue variations were the most commonly cultivated colors in the 18th century; blue was highly favored for ornamental bouquets and gardens. Double-bloomed blue "delphinettes" were the most highly prized due to their color and unique appearance.

But Delphinette was not only used to beautify gardens and boudoirs. The plant, though toxic, was once believed to have curative properties. Distilled mixtures of Delphinette, made from its flowers boiled in rose water, were used as eye drops that were believed to treat conjunctivitis and inflammations. It was even used to treat kidney stones!

 image: Detail from a portrait of Marie Antoinette in court dress, circa 1778, by Elisabeth Vigée-Lebrun.
credit: (C) RMN-Grand Palais (Château de Versailles) / Gérard Blot

The flower was particularly favored by Marie Antoinette. It was specially planted in the French Garden, just to the west of Versailles. Delphinette is also featured in several of her portraits, including a formal court portrait by Vigée-Lebrun, where sprigs of the flower can be seen in a bouquet along with lilies, roses and narcissi.

image: blue rocket larkspur
credit: BotBin

The Delphinette, or rocket larkspur, is just one of the many flowers and plants to uncover in the upcoming publication, From Marie Antoinette's Garden by Elisabeth de Feydeu, set for publication on September 3rd, 2013.



Monday, August 12, 2013

Quick Treasure: An Afternoon at the Trianon

There's something special about vintage photographs of people, whether it's someone's personal family pictures or a photograph eventually used en masse for postcards like the image below. A simple photograph can bring about a thousand questions--most of them unanswerable and yet still fun to think about.

This particular postcard of the chateau at the Petit Trianon depicts a woman gazing at the fountains below, along with a smaller group of people walking in the background. Who is the woman in the foreground? Why was she visiting Versailles that day? Was she alone? Or did she come with friends? Did she visit for the history or just to go along with the recommendations of friends or family?

Perhaps she was visiting the palace with a few companions, but became bored of the gilded palace or her compatriots, and decided to stroll to the Petit Trianon on her own, looking for fresher air and peace of mind. Maybe the moment captured forever by this unknown photographer was a moment of quiet reflection at the end of a tiring afternoon filled with gossip or petty chatter.

Or maybe not. But it's always nice to imagine!


credit: my collection

Sunday, August 11, 2013

Even More Jules Gervais-Courtellemont Autochromes of Life at Versailles

Earlier this summer, I posted a small collection of Jules Gervais-Courtellemont autochromes/autochrome prints of "life at Versailles," as portrayed by 1920s re-enactment players. Since then, I've been lucky enough to add to my small collection of prints made from Courtellemont's autochromes!

I can't get enough of the nostalgic, almost whimsical feeling they inspire. They are like romantic snapshots of a moment forever frozen in time... two companions taking a stroll through the gardens, a noblewoman making her entrance into the Hall of Mirrors--the queen herself,  lost in the tranquility of her hamlet.

  
Players at the Fountains of Versailles
credit: my collection

Players in the Hall of Mirrors
credit: my collection

Player at the hamlet of Marie Antoinette
credit: my collection








Wednesday, July 31, 2013

Quick Treasure: A watercolor postcard of the Temple of Love

A picture is worth a thousand words! In the next few weeks I'll be sharing a series of Quick Treasures, such as portrait details, vintage postcard scans, and more.

Today I'd love to share one of my favorite postcards from my collection, a watercolor postcard of the Temple of Love at the Petit Trianon. I'm usually wary of the "painted" postcards that became popular in the 1930s-50s--some of them tend to have an odd traced-over look about them. But the soft, romantic feel of this particular postcard is why it is currently framed and sitting on my bookshelf.

image: my collection