|A pastel portrait of the child of Louise Hyacinthe de Montesquiou and Anne-François V de Lastic by Elisabeth Vigee-Lebrun, circa 1780-1783. In the collection of the Chateau de Parentignat.|
This charming pastel portrait has long been identified as Sophie Hélène Béatrix, the second daughter and last child born to Marie Antoinette and Louis XVI. This identification was first made in a Vigee-Lebrun exhibition catalog published in the 1980s by Joseph Baillio, an expert whose specialty is the work of Elisabeth Vigee-Lebrun. Baillio also identified another Vigee-Lebrun work, a sketch, as depicting the infant Sophie in this same publication.
|“Sleeping Baby” by Elisabeth Vigee-Lebrun, circa 1780s. According to Joseph Baillio, this may be a sketch of Eugène de Montesquiou-Fézensac, whom the artist also depicted in a pastel.|
However, after decades of being known as portraits of Sophie Hélène Béatrix, the real identity of the children in the above portraits has become clarified: neither child is Sophie de France.
According to the chateau de Parentignat website, the archives of the
Montesquiou-Lastic family indicate that the pastel portrait depicts the first
child born to Louise Hyacinthe de Montesquiou and Anne-François V de
The couple had three children: Amédée, François and Octavie. Only Octavie (Gertrude Charlotte Marie Octavie) would live past childhood; she was a dame d'honneur to Empress Josephine and had several children of her own.
it does indeed depict their first child, then the infant in the above
portrait would be Amédée. There are conflicting reports regarding his
birth and death date; Geneanet.org indicates that he was born in 1782
and died in 1788; according to Baillo, he was born in 1780 and died in
1788. Various books reporting on the genealogy of the Lastic family give
differing information: one indicates that Amédée merely “died young,” and another
says “died in infancy.”
The above pastel portrait is remarkably similar to another infant portrait by Vigee-Lebrun, done for the Montesquiou-Fézensac family. This portrait depicts Eugène de Montesquiou-Fézensac (1782-1810).
|Image: Portrait of Eugène de Montesquiou-Fézensac by Elisabeth Vigee-Lebrun, circa 1782.|
Perhaps both portraits were painted around the same time; or perhaps they requested the artist to paint them in a complementary style. Regardless of whether the "not-Sophie" misidentified portrait is Amédée, François or Octavie, the children in both pastel portraits were cousins.
With two of the previous “Sophie” portraits now given the correct identifications, we are left with precious little tangible portraiture of Sophie.
The only absolutely confirmed contemporary depiction of Sophie comes from a series of engravings of the royal family, something @tiny-librarian discovered and shared. Unfortunately, the image itself is rather small--but it does at least indicate that there was some contemporary portraiture of her, and perhaps a larger version will one day make an appearance.
|Image: a contemporary illustration of Sophie; from an engraving featuring portraits of the French royal family.|
There is also an alleged portrait of all four of Marie Antoinette’s
children, attributed to Jean Pierre Chasselat, but the identification is
not confirmed and firmly remains in the “alleged” category.
While I would love for this portrait to depict all of the children together, I don't feel very strongly about its alleged identification. Unfortunately the auction page for this miniature is long-gone, so the
ability to look for a higher resolution or more information is not
readily possible at this time.
|Image: An alleged portrait of the royal children by Jean Pierre Chasselat,|
Truly, the title of the chapter focusing on Sophie in Philippe Delorme’s Les Princes du Malheur is more apt than ever:L'éphémère Madame Sophie. The ephemeral Madame Sophie.
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