Saturday, October 29, 2016

Marie Antoinette (1938) Costumes: Marie Antoinette's "Brightest Figure" Gown



The "brightest figure" gown is worn in the scene where Marie Antoinette makes her debut as the "brightest figure in the court," courtesy of the duc d'Orleans and his offer to support her and turn her fortunes around.

The gown is embroidered with intricate designs made with metallic thread, thousands of beads and jeweled flowers.

The color was described in a caption for Du Barry was a Lady as "pink moire taffeta."

The gown was featured in promotional shots for Du Barry Was a Lady, which featured costumes from the MGM film, but for unknown reasons the actual gown does not make an appearance in the movie itself. The gown was likely used in other films which reused the Marie Antoinette costumes, including Two Sisters from Boston, Scaramouche, and Ice Follies of 1939.

Its current condition and whereabouts are unknown.

Colorization

 Colorized publicity shot for Du Barry Was a Lady; colorization by Olga


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Wednesday, October 26, 2016

From the Library of Marie Antoinette: The Dangers of Coquetry


Today's Book: The Dangers of Coquetry

Title: The Dangers of Coquetry (French title: Les Dangers de la coquetterie)

Author: Amelia Opie (1769-1853)

Publication: Originally published in English in 1787; published in French (with a translated by Mme Marie-Armande Jeanne d'Humières) in 1787.

Notes: A novel about a young woman who turns to the dangerous art of coquetry, and finds herself attracted to an upright moral gentlemen who despises coquettish behavior.

This was Opie's first novel, written at the age of 18.

The London Review of 1790 contains an unique observation about Opie's depiction of the effects of coquetry, which most other contemporary reviewers did not pick up on from the work: "for while [the novel] attributes the most mischievous and dreadful consequences to a little innocent coquetry in the character of a wife, it [shows] them to have proceeded from an idle, ridiculous, and unfounded jealousy on part of her husband."

Where you can read it: Currently unavailable online. Broadview Press published a 2-volume book in 2003 which includes The Dangers of Coquetry and another of Opie's works, The Father and Daughter.

Sunday, October 23, 2016

From the Library of Marie Antoinette: Caroline, or the Diversities of Fortune


Today's Book: Caroline, or the Diversities of Fortune

Title: Caroline, or the Diversities of Fortune (French title: Caroline, ou les Vicissitudes de la fortune)

Author: Anne Hughes (unknown birth and death dates)

Publication: Originally published in English in 1787 in three volumes. Published in France in 1788.

Notes: A novel about a young lady named Caroline who finds herself in a difficult position after her father dies; having no one, since her mother died at birth, she travels from place to place hoping to find refuge with relatives, constantly at odds with her own fortune.

The book was mentioned in the 1787 Monthly Review as a "pleasing and well-wrought story" with a sound moral for young women regarding the importance of arming yourself with virtue and fortitude because, to quote the work, "She who has that, is clad in complete steel[.]"

Where you can read it: The original English version can be read at the Chawton House Library.

Wednesday, October 19, 2016

From the Library of Marie Antoinette: L'aventurier François; ou, Mémoires de Grégoire Merveil



Today's Book: L'aventurier François; ou, Mémoires de Grégoire Merveil

Title: L'aventurier François; ou, Mémoires de Grégoire Merveil (The French adventurer, or memoirs of Gregoire Merveil)

Author: Robert Martin Lesuire (1737-1815)

Publication: First published in 1782 in French; further volumes were published throughout the 1780s.

Notes: An adventure-mystery tale about a French man who discovers an underground society populated by former criminals, and finds himself accused of murder and forced to investigate and solve the crime himself to clear his name.

This is Lesuire's best known work and his most popular work with contemporary readers, although it was not well received critically. It was called a "pile of incoherent nonsense [and] the delight of frivolous readers" by one critic. The adventures of Gregoire Merveil were continued in further works by Leisure, although these were not quite as popular.


In addition to this first novel, the queen's library also held copies of the rest of Lesuire's Merveil adventures: Suite de l'Aventurier français, ou Mémoires de Grégoire Merveil, marquis d'Erbeuil; Seconde suite de l'Aventurier français, contenant les mémoires de Cataudin, chevalier de Rosamene, fils de Grégoire Merveil; and Dernière suite de l'Aventurier français, contenant les mémoires de Ninette Merviglia, fille de Grégoire Merveil, écrits par elle-même, & traduits de l'italien, par son frère Cataudin

Where you can read it: Available on Archive.org in French (1784 reprint edition). The book was translated into English in the 1780s, but I have been unable to find it for free online thus far.

Thursday, October 6, 2016

Marie Antoinette, Phantom Queen Review

  

[A review copy of this book was provided to me by the publisher]

Marie Antoinette, Phantom Queen is a somber, ghostly tale that weaves together the tragic end of Marie Antoinette with the life of a widowed painter in 1930s Paris. The book, written and illustrated by Rodolphe and Annie Goetzinger, was originally published in French several years ago; this year, NBM has released an English edition with a translation by Peter Russella. According to the forward by Rodolphe, the pair originally intended to adapt the Moberly–Jourdain incident into comic form, before deciding on an original story.

The story as presented is straightforward, which helps the narrative flow easily from panel to panel. Maud is a recently widowed painter living in Paris in the 1930s, who is attempting to hone her talents as an artist while fending off the advances of her stepson, who is all too keen to get his hands on the vast sums his elderly father left his young wife. While painting at the Petit Trianon, Maud's little dog runs away--only to find himself in a time slip, as he stumbles on a gathering held by Marie Antoinette and her companions, who are being told that a mob is marching on Versailles and they must flee to the palace for safety. Maud, whose visit to the Petit Trianon sparks a previously unawakened connection to the spirit world, finds herself enlisted by the ghost of Marie Antoinette to find her remains and bury them, so that her soul can finally rest at peace.

The few twists in the story aren't exactly unexpected if you are familiar with this type of classic ghost narrative, and the story lacks a real antagonist since the attempts of Maud's sleazy stepson to get her money (through marriage, murder, or commitment to a mental asylum) never pose a serious threat. But a good story doesn't always have to be a complicated or difficult one, and Marie Antoinette, Phantom Queen shines as a simple, somber narrative that plunges readers into a tragic tale and then takes them exactly where they want to go in the end. It's the perfect read for a quiet afternoon or morning, when you can take the time to savor the illustrations and the comic's quieter moments, particularly the last few panels.

The illustrations by Annie Goetzinger for the book have to be singled out: they are truly exquisite, and will stay with you long after you've finished reading. I've found myself flipping through the pages again and again to admire the work, and I always seem to find a new detail to gush over. The depiction of Marie Antoinette's ghost, as well as the nightmares of her final days in captivity, are especially memorable.  The soft, dreamy colors are perfectly suited to the ghostly story line, and combined with the artist's great eye for color and mood, they give the comic a dreamlike quality. 

I would recommend Marie Antoinette, Phantom Queen to anyone with an interest in Marie Antoinette, classic style ghost stories or anyone who is looking for a beautifully illustrated story with an eerie undercurrent of the supernatural.